The Maîtrise Populaire of the Opéra-Comique

An artistic, educational and social project, the Maîtrise Populaire of the Opéra-Comique, founded by Sarah Koné, supports 120 young people aged 8 to 25 and trains them in the performing arts throughout their schooling.

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Concert de la Maîtrise Populaire de l'Opéra-Comique, 2025 © Eva Miquet

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Summary

The Maîtrise Populaire of the Opéra-Comique trains 120 young people aged 8 to 25 in the performing arts each year, within a framework that is both demanding and deeply supportive. Singing, theatre, dance, piano, tap dancing: a unique multidisciplinary training programme at the crossroads of school and stage.

With no prior artistic experience required nor academic selection, students join a committed collective in which the diversity of backgrounds is regarded as a strength. Thanks to an adapted timetable system developed in partnership with the French Ministry of Education, they pursue a course of study that combines academic education with artistic practice.

The stage lies at the heart of the pedagogical project: each year, students take part in numerous productions alongside professional artists whether at the Opéra-Comique or beyond its walls.

At the heart of the Maîtrise Populaire lies a firm belief: artistic excellence must remain accessible to all. By reaching out to students across the whole of the Île-de-France region, it opens its doors to young people who might never otherwise have imagined such a path for themselves.

Behind the scenes of the Maîtrise Populaire

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Team

To fulfil the Maîtrise Populaire’s many ambitions, the teaching team brings together specialised instructors trained at some of the foremost French institutions — including the Conservatoire National Supérieur de Paris, the CNSMD and the Pôle supérieur d’enseignement artistique de Paris — as well as internationally renowned establishments such as the Merce Cunningham Company, The Juilliard School and the Conservatoire de Lausanne.

Artistic direction is entrusted to Louis Langrée, working in close collaboration with the artistic and pedagogical committee: Clara Brenier (choirmistress), Christine Bonneton (choreographer) and Dorothée Voisine (voice teacher).

Artistic direction

Artictic director
Louis Langrée
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Management and supervision

Choirmistress
Clara Brenier
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Choreographer
Christine Bonneton
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Voice teacher
Dorothée Voisine

Director of the Favart Campus
Marion Nimaga-Brouwet
Deputy Director of the Favart Campus
Cécile Ducournau
Production Manager
Julie Jozwiak
Head of Academic Affairs
Rachida M'Hamed
Head of Artistic Activities
Alicia Arsac

Teaching team

Choral singing and vocal ensemble
Clara Brenier (all cycles)
Caroline Calvo (Pre-Maîtrise)

Vocal technique, accompaniment singing and vocal training
Dorothée Voisine
Katia Weimann
Joséphine Ambroselli
Caroline Calvo

Musical training
Anne-Laure Kénol (All cycles)
Fabienne Dewaele (Pre-Maîtrise)

Piano
Anna Krempp (All cycles)

Dance
Christine Bonneton (All cycles)
Tuomas Lathi (Pre-Maitrise)

Tap dancing
David Lasserre (All cycles)

Support of the Maîtrise Populaire of the Opéra-Comique

Leah et James Lieber

Violaine de Dalmas et François Henrot

Marie-Josée et Henri Kravis

Sarah Arison

Amy Dubin

Nicole Bouton

The Opéra-Comique would like to thank Amy Dubin, Nicole Bouton, all its anonymous donors, the donors to the Gala auction, and the donors to the ‘Growing Up on Stage’ campaign

You too can support the Maîtrise Populaire