L'Amour du chant - Récital Stéphane Degout et Cédric Tiberghien

L'Amour du chant - Récital Stéphane Degout et Cédric Tiberghien

50, 40, 30, 25, 19, 13, 11, 6 €

Love of song | Stéphane Degout et Cédric Tiberghien

October 29, 2024

50, 40, 30, 25, 19, 13, 11, 6 €
en

Recital / Opus 1 around George Benjamin. Works by Benjamin, Debussy, Berg

The baritone Stéphane Degout and the pianist Cédric Tiberghien present a recital based on the works of George Benjamin. They have decided to share the stage with three artists from the Académie de l'Opéra-Comique.

The British composer George Benjamin has been given carte blanche to choose two performers from his repertoire. Discover a rich and varied programme, where Benjamin's creations dialogue with masterpieces by Debussy and Berg.

Baritone Stéphane Degout • Pianist Cédric Tiberghien

With the Académie de l'Opéra-Comique : Soprano Michèle Bréant • Mezzo-soprano Léontine Maridat-Zimmerlin • Pianist Ayano Kamei

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Duration : 1h20 no intermission | Salle Favart
50, 40, 30, 25, 19, 13, 11, 6 €

People with reduced mobility

16 seats are dedicated to people with reduced mobility, on reservation at the box office or by phone. Access to the lift is located 5 rue Favart
+33 1 70 23 01 44 | accessibilite@opera-comique.com

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Program

Claude Debussy
Fêtes Galantes, Premier Livre
Fêtes Galantes, Deuxième Livre
Trois chansons de Bilitis
Le Promenoir des deux amants

Alban Berg
Vier Lieder Opus 2
Sieben frühe Lieder
/ « III. Die Nachtigall »
Sieben frühe Lieder / « II. Schilflied » / « I. Nacht » 

George Benjamin
Shadowlines

Maurice Ravel
Histoires naturelles
« I. Le Paon » 
« II. Le Grillon » 
« III. Le Cygne » 
« IV. Le Martin-pêcheur »
« V. La Pintade »

This programme may be subject to change

Cast

Baryton
Stéphane Degout
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Pianist
Cédric Tiberghien
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Academician of the Opéra-Comique

Soprano
Michèle Bréant
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Mezzo-soprano
Léontine Maridat-Zimmerlin
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Pianist and vocalist
Ayano Kamei
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Les Pléiades

Around the show
Each lyrical production will be supported by “Pléiades” extending and enriching its content in accessible, offbeat, prospective or intimate formats.

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