FAIRY TALE in four acts by Jules Massenet. Libretto by Henri Cain after Charles Perrault’s tale. Premiered at the Opéra Comique on 24 May 1899.
Presentation of the work by Agnès Terrier 40 minutes prior to each performance
Romanticism largely drew from the world of fairy tales to produce entrancing music and display on stage its vocal enchantment with a constant theatrical inventiveness. Taking advantage of the new wonders of electricity, opéra-féérie became a full-fledged genre in the late 19th century. For the third Salle Favart, inaugurated in 1898 and furnished with the latest electrical equipment in Europe, Massenet wrote Cendrillon, an operatic version of Perrault’s Cinderella in the form of a cheerful comedy. Metamorphoses, ball scenes and colorful characters provided an ideal material to Massenet who produced his seventh work for the Opéra Comique. With his usual subtlety in the depiction of feelings, Massenet composed for Cendrillon one of his most accomplished scores, combining to perfection melodic inspiration with a virtuosic use of the styles and colors of the time.
Act I
Pandolfe, a weak-minded commoner, is sorry he left the country to marry the Countess de la Haltière, especially as his daughter Lucette is rejected by her stepfamily who call her Cendrillon. Resorting to a great many artifices, the ambitious countess prepares her two daughters Noémie and Dorothée to attend the king’s ball. Left alone, Cendrillon thinks about the ball with regret and tidies up the house before falling asleep in the hearth. Her godmother the Fairy appears and bids her elves to produce a sky-colored gown and a full carriage. Upon awakening, metamorphosed Cendrillon leaves for the ball with the promise to return before midnight. Her enchanted slippers will make her unrecognizable to her family.
Act II
At the king’s palace everything is ready for the ball but the courtiers, doctors and ministers cannot relieve the gloomy Prince Charming who despairs to find love. As dances succeed each other for the prince to choose a bride, Cendrillon enters. They fall in love at first sight. But at the stroke of midnight Cendrillon runs away.
Act III
Back home, Cendrillon is sorry she lost one of her slippers in her flight. Her stepsisters and stepmother arrive shortly thereafter, enraged that the ball was curtailed by the departure of the unknown girl whom they slander. Cendrillon is upset. Although Pandolfe found the strength to drive away the three harpies and promised Cendrillon to take her to his country home, she decides to flee to the fairies’ Oak. Under the Oak, the elves and spirits gathered around the Fairy disperse as Cendrillon and Prince Charming arrive from different directions. They both entreat the Fairy to meet again. They recognize each other’s voices but cannot see one another. The Fairy allows them to embrace before plunging them into a magic slumber.
Act IV
Several months have elapsed and Cendrillon emerges from a long sleep punctuated with visions. She wonders whether she has dreamt everything, which her father confirms. But a call from the street comforts her: the herald summons all the kingdom’s maidens to try on the lost slipper. The maidens assemble in the court of honor at the palace. The faint Prince is brought back to life by Cendrillon’s arrival. Pandolfe is stupefied by their reunion while Madame de la Haltière shows boisterous merriment.
Marc Minkowski & Benjamin Lazar
Judith Gauthier / Blandine Staskiewicz, Michèle Losier, Eglise Gutiérrez, Ewa Podleś, Laurent Alvaro, Aurélia Legay, Salomé Haller, Laurent Herbaut, Vincent de Rooster, Julien Neyer, Paul-Henri Vila
Danseurs, Luciana Dariano, Alex Sander Dos Santos, Ana Mariolani, Danila Massara, Gudrun Skamletz
Orchestre et Chœur des Musiciens du Louvre - Grenoble
Samedi 05 Mars 2011 - 20:00
Lundi 07 Mars 2011 - 20:00
Mercredi 09 Mars 2011 - 20:00
Vendredi 11 Mars 2011 - 20:00
Dimanche 13 Mars 2011 - 15:00
Mardi 15 Mars 2011 - 20:00
Salle Favart
108, 87, 65, 40, 15, 6 €
Introduction à l’œuvre 30 minutes avant chaque représentation
Cast
Dancers, Luciana Dariano, Alex Sander Dos Santos, Ana Mariolani, Danila Massara, Gudrun Skamletz
Orchestre et Chœur des Musiciens du Louvre - Grenoble
Production, Opéra Comique
Coproduction, Opéra de Saint-Étienne – Grand Théâtre de la ville de Luxembourg Coproducteur associé, Palazzetto Bru Zane – Centre de musique romantique française