New feature : « les Pléiades »

Richard Brunel unveils the eminently modern significance of this bubbling social panorama, which sketches the portrait of a combative youth enamoured with truth and freedom.

All are dead but some are not aware of it: Macbeth, Lady Macbeth, Banco’s ghost, the child… The dead child is the cornerstone of the guilt haunting the Macbeths as it condemns them to relive the past.

In 2017, Laurent Campellone and Thomas Jolly revived this recently recovered jewel. Performed at the Châtelet during the Opéra-Comique’s restoration, the show is now returning to the place that inspired it, with Gaëlle Arquez in one of the finest cross-dressing roles of the repertoire.

Eager to offer the Viennese composer a stage that brings him closer, Raphaël Pichon and Silvia Costa unearth forgotten scores, jewels of lyricism and melancholia, from which emerge, both literally and figuratively, the ghosts of a masterpiece.

Louis Langrée, Guillaume Gallienne and Clairemarie Osta combine performing arts to honour these two masterpieces, inspired by the gallant XVIIIth century, in a show that celebrates comic spirit’s fruitfulness and freedom in genre.

Mathieu Romano, James Bonas and Ewan Jones coordinate the multiple talents of the Maîtrise – singing, theatre and dance – at the service of a utopia that will amuse young audiences and adults eager to share their love of opera, as much as it will make them think.

After having staged Gluck’s preclassical Armide in 2022, the Opéra‑Comique invites Christophe Rousset and Lilo Baur to return to the source in the same decor by Bruno de Lavenère.